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A good number of pianists have been taking up works of Tudor virginal composers like William Byrd and John Bull on the modern concert grand. Yet only a handful have truly internalized the music to Kit Armstrong's remarkable degree, as he proves time and again throughout his first recording for . . .
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She brought her church-rooted soprano and high harmonies to the rock and funk powerhouse best known for the No. 1 hit Lady Marmalade.
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